With Bharat - Goa - India - 2009
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Bharat - Goa - India - 2009
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Bharat - Goa - India - 2009
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Timos Amos - Greece - 2010
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Timos Amos - Greece - 2010
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Timos Amos - Greece - 2010
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Ricky - Dehli - India - 2010
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Bharat - Jaipur - India- 2010
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »
With Bharat - Jaipur - India- 2010
NO DISTANCE DESIGN
Along my voyages, I have been experiencing a new and fresh way for a design process.
The idea is to establish the closest possible relationship between conception and production.
I arrive in a workshop withoiut any peconceived designs nor ideas, neither on paper nor in mind.
I choose a piece of materiel and guide the craftsman with gestures, mimes, words,looks.
It is a tenious and absolute encounter wich take place precisaly in as space and moment around material, like a snp shot.
Of these experiences I recall and keep inspired objects , « madeleine de Proust »